I was listening to a piece by Dvorak recently. I was enamored at the time by the brass section at the time. The euphonium was robust and proud. It filled me with glee as the entire brass and woodwind section grew and seemed to explode toward the end of a phrase. As I was still calming myself from the euphoric explosion, I heard a small flurry of instruments that played a rather quick, soft part. I had to rewind to discover it was the strings. Then the brass section again came prancing in. This cycle occurred twice before moving to the next phrase.
It caused me to pause.
Although we are all awed and overwhelmed by the majesty of the brass, the subtler strings often are the ones that bring us to tears. When the Violins play, there is often a skillful soloist that pours their very soul into the performance of a piece. They are then greeted with thunderous applause in recognition; the concert master is almost always the first chair violinist. Names like Isaac Stern and Yoyo Ma come immediately to mind when we think of the strings, and orchestra in general.
What of the viola? Were you even aware of such an instrument’s existence? To those ignorant of the orchestra, it appears to be a violin, but it is unique and essential to harmony. Can you name me an oboist? Perhaps a bassoonist? Could you even point out a bassoon in the orchestra? Yet these instruments provide important harmony and counter melody in numerous pieces that add richness and depth.
These all get a grandiose stage. What of the Mandolin? It used to be the instrument of choice for vocal accompaniment for centuries. Even now, it is quintessential to the bluegrass world. The modern music companion is the trusty guitar. Is it inferior to the seductive violin or boisterous clarinet? No. In fact, most modern music features the guitar as the lead instrument, and power guitar solos frequent the favorite songs of our time. Unnoticed often in the background is the faithful drum keeping the rhythm and driving the song forward. Though it is “least” among the modern band essentials in prominence, it is far harder to master than the guitar, bass, or piano/keyboard.
By now, I trust you’ve see my point. We are all instruments in the grand concert of this life. God is the one that has given us each an “instrument”, perhaps multiple. The one that is the Piano of life is no less important than the Viola. You also would not expect to hear a cornet in a hard rock ballad, nor a synthesizer in a fugue. Every instrument has a purpose and a genre in which it shines. We must all realize our own instrument/s and genre/s in which to perform. We also should not overestimate our part in the concert of life, but recognize it for what it is, and appreciate the part that others also play.
It is also important to note that if we are instrumentalists in the concert we are all equal and subservient to the conductor, and that conductor is Christ. Without Christ orchestrating the concert of life, the sections compete against each other, the soloist attempt to out due each other,and an atonal cacophony results that gives everyone a migraine.
Know your parts, love the other parts, and follow the conductor.
There is more than one instrument in the wondrous symphony of life.